He’s the bad boy of the Amsterdam techno underground: Daniel Sanchez, 26 year old son of a Spanish father and a Dutch mother, who scored one of the biggest hits of the summer of 2007 with the infectious ‘Mumbling yeah’. Daniel’s ‘mumbling’ vocals give the track that special edge.
Na een geslaagde avond knetteren met de karakteristieke sound van Aril Brikha stoomt Phunk Division op zaterdag 17 april door met een kakelverse editie in de Rotterdamse Catwalk.
Een grote schare Bosschenaren liet zich op 30 januari niet afschrikken door het barre winterweer waarmee de eerste editie van Analog Dialogue gepaard ging.
Op de eerste dag van maart is de tweede release van Gem Records uitgekomen, de nieuwe Secret Cinema remix voor Christian Smith (Tronic49) zag diezelfde dag het licht van de digitale wereld.
From deep atmospheric soundtrack acid to sharp minimalistic industrial techno and dark industrial electro-funk, Rude 66 has done it with a dystopian edge of new wave-futurism. Via Noise and EBM in the 80's Rude 66 landed on Bunker Records in 1993, where with Unit Moebius and Beverly Hills 808303 he helped define the Acid Sound of The Hague: lo-fi acid from the sewer.
Broadening the spectrum with releases on Djax-Up-Beats, Silver Recordings and an evil drum & bass ep on Chicago's Kultbox Records, in 1997 Rude 66, bored with corporate techno and empty distorted acid, evolved his style to dark electrofunk.
The revived Bunker Records fit the new tracks like a glove, resulting in the now classic Devils Machine 6-tracker from 2000 and Wraak der Wegpiraten from 2002.
2003 brought more live shows, remixes and projects, one of them Powerslaves, the electro Iron Maiden cd. 2004 saw the release of Killers from the Powerslaves cd on vinyl, together with the remix of the Riplets' Hey Mickey.
Planned for 2005 is a new sonic attack: The Black Sabbath ep on Creme, The Overkill single on Viewlexx, an ep for Vynalogica, a remix fore Werocklikecrazy and one for RA-X, more vinyl and live shows..
Rude 66's acclaimed live shows are intense improvisation workouts including vocals and scratching, based loosely on the studio tracks. Billed 'The king of the dark electro-wave deathrace' by slick promotors, Rude likes his tracks to sound like you're on the red carpet pathway to hell. Dancing.
