Vrijdag 17 september is het dan zover: Berlin Underground en Steam slaan de handen ineen voor wat beloofd een smerig avondje, muzikale verwennerij te worden.
Van oudsher staat Bacardi bekend om haar sfeervolle feesten op haar landgoed in Cuba. Maar sinds kort is het merk ook actief in de Nederlandse muziekwereld.
Vanaf september verwend Panama de bezoekers weer eens met een “Panama presents” avond. Deze avonden staan altijd garant voor de grootste internationale & nationale DJ’s.
From deep atmospheric soundtrack acid to sharp minimalistic industrial techno and dark industrial electro-funk, Rude 66 has done it with a dystopian edge of new wave-futurism. Via Noise and EBM in the 80's Rude 66 landed on Bunker Records in 1993, where with Unit Moebius and Beverly Hills 808303 he helped define the Acid Sound of The Hague: lo-fi acid from the sewer.
Broadening the spectrum with releases on Djax-Up-Beats, Silver Recordings and an evil drum & bass ep on Chicago's Kultbox Records, in 1997 Rude 66, bored with corporate techno and empty distorted acid, evolved his style to dark electrofunk.
The revived Bunker Records fit the new tracks like a glove, resulting in the now classic Devils Machine 6-tracker from 2000 and Wraak der Wegpiraten from 2002.
2003 brought more live shows, remixes and projects, one of them Powerslaves, the electro Iron Maiden cd. 2004 saw the release of Killers from the Powerslaves cd on vinyl, together with the remix of the Riplets' Hey Mickey.
Planned for 2005 is a new sonic attack: The Black Sabbath ep on Creme, The Overkill single on Viewlexx, an ep for Vynalogica, a remix fore Werocklikecrazy and one for RA-X, more vinyl and live shows..
Rude 66's acclaimed live shows are intense improvisation workouts including vocals and scratching, based loosely on the studio tracks. Billed 'The king of the dark electro-wave deathrace' by slick promotors, Rude likes his tracks to sound like you're on the red carpet pathway to hell. Dancing.
