Terugkeer van Duitse smaakmaker Karotte: Nederland lijkt zijn tweede thuis. De streken die Karotte achter de draaitafels uithaalt hebben hem hier een trouwe, enthousiaste achterban opgeleverd.
Ach ja, die mooie, rustige dagen tussen Kerst en Oud & Nieuw. Schrijf die dit jaar maar op je buik, in Studio 80 staat namelijk nog een verrassende ontknoping van het jaar gepland!
Herr Zimmerman zorgt komende Oud & Nieuw 2011 voor een spectaculaire NYE Zuper Heroes Party!
Vanaf de 10e verdieping hoog in de Factory 010 kijk je uit over het vuurwerk over de Rotterdamse skyline, en ga je compleet uit je dak tijdens de Zuper Heroes Party!
Afgelopen Koninnenacht gingen er 1100 man helemaal Koekoek met onder meer Andre Galluzzi en de Man Zonder Schaduw. Nu komt de organisatie keihard terug met een editie op OUD en NIEUW! Komt dat zien op 31 december!
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. Having recorded for Metroplex, as well as the Austrian Cheap label and Jeff Mills' Axis label, Hood also owns and operates the M-Plant imprint, through which he's released the bulk of his solo material. Hood was a founding member, along with Jeff Mills and Mike Banks, of the Underground Resistance label, whose influential releases throughout the early and mid '90s helped change the face of modern Detroit techno and sparked a creative renaissance. Infusing elements of acid and industrial into a potent blend of Chicago house and Detroit techno, UR's aesthetic project and militant business philosophy were (and remain) singular commitments in underground techno. Hood left Detroit (and UR) with Jeff Mills in 1992, setting up shop in New York and recording a series of 12-inch EPs . Through the mid '90s, Hood has focused on his solo work, setting up M-Plant in 1994 and releasing singles such as "Internal Empire," "Music Data," and "Moveable Parts." Although his desire to remain underground has been replaced by an urge to reach a wider audience, Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends. His debut Peacefrog album 'Point Blank' took Hood's hypnotic minimalism to entirely new depths and territories, whilst his latest album 'Wire To Wire' takes his productions onto new levels of musicality and sophistication within the world of electronic music.
Robert Hood makes minimal Detroit techno with an emphasis on soul and experimentation over flash and popularity. Having recorded for Metroplex, as well as the Austrian Cheap label and Jeff Mills' Axis label, Hood also owns and operates the M-Plant imprint, through which he's released the bulk of his solo material. Hood was a founding member, along with Jeff Mills and Mike Banks, of the Underground Resistance label, whose influential releases throughout the early and mid '90s helped change the face of modern Detroit techno and sparked a creative renaissance. Infusing elements of acid and industrial into a potent blend of Chicago house and Detroit techno, UR's aesthetic project and militant business philosophy were (and remain) singular commitments in underground techno. Hood left Detroit (and UR) with Jeff Mills in 1992, setting up shop in New York and recording a series of 12-inch EPs . Through the mid '90s, Hood has focused on his solo work, setting up M-Plant in 1994 and releasing singles such as "Internal Empire," "Music Data," and "Moveable Parts." Although his desire to remain underground has been replaced by an urge to reach a wider audience, Hood remains fiercely critical of artistic and economic movements destructive to inner-city communities and has combined his musical enterprises with outreach and social activist ends. His debut Peacefrog album 'Point Blank' took Hood's hypnotic minimalism to entirely new depths and territories, whilst his latest album 'Wire To Wire' takes his productions onto new levels of musicality and sophistication within the world of electronic music. 
