Amsterdam based DJ Flow and DJ Ingy play together as DJs and as a liveact (using real instruments as well as hardware and laptop) called Flowing. Together they run Flowing Productions, the company behind the Club Krang parties in Amsterdam.
From October 22 to 25 our capitol is the stage for its annual Amsterdam Dance Event (ADE) again. Beatfreax has created the ultimate online guide to keep you up to speed with the coolest parties and venues during the event.
A.S.S. is hét technofeest van Zoetermeer en omstreken. Vanwege de opvallende en spraakmakende line-ups, mooie lichtshows, mooi zuiver geluid en de ongekende feest-sfeer, is het feest zelfs landelijk bekend en trekt bezoekers uit het hele land!
VERSCH opent het seizoen met een aantal stevige AV acts en elektronische muziek van jonge talenten van nationale en internationale bodem. De Argentijnse Akira, op tour met zijn 8GB, en het Ierse Sin Sin collectief staan garant voor live AV performances.
JOHANNES HEIL was born on Feb., 3rd in 1978. At the age of fourteen in 1992 he visited a Techno Party for the first time, and met HEIKO LAUX, who ran a Techno Bistro ('Kanzleramt') in the beautiful health resort Bad Nauheim.
Since then he is an integral part of the 'Kanzleramt'-Clan, works as Resident DJ there, co-produced with HEIKO LAUX and launched, together with him, the project "ITEM ONE".
In 1995 he released his first solo maxi "Die Offenbarung"
Since his album 'Reality To Midi' (199 JOHANNES HEIL belongs to the most promising newcomers of German Techno Underground.
Whirring loops, a distorted hammering bass and slurping bass-lines became his trademarks - even if these aspects are not exclusively representative for the great variety of his works as it can be heard on various records, especially on his latest 'Kanzleramt' production "Illuminate The Planet" with its unique mixture of Techno, House, Trance, Big Beat, Dub and Ambient.
And however different the single tracks may be, the whole record gives the strong impression of unity.
Almost all the tracks on the album came into being after "Reality To Midi", except 'Farewell', which is a relic from ancient times...
JOHANNES HEIL about 'Illuminate The Planet':
"'Illuminate The Planet' stands for the last year. During these months I started to concentrate on the 'classical' technique of writing and arranging music. Classical music is working completely different, compared to Techno. The whole flow of work... it's a totally different approach to the way of creating music. Certainly, this rubbed off on the new album. Not everything turned out to be like I wanted it, but I deliberately try to direct my paces towards this direction, to increase the use of melody and harmony."
JOHANNES HEIL also contributed two tracks to the new SVEN VÄTH album 'Contact', one of which is the first single cut "Dein Schweiss".
Besides that he launched his own record label 'JH Records' and released one of his hits from 1998: "Die Eigene Achse". The record was limited to a thousand copies and features a remix by HEIKO LAUX.
After the advance maxi to his long-anticipated third album "Future Primitive", which followed immediately, JOHANNES published his second recording for 'JH Records', entitled "Isis & Osiris"
'Heilstyle', the fifth album by Johannes Heil, contains 11 new and possibly some of his best tracks ever. The tracks got the powerful saw-lines of 'Reality to Midi', a bunch of 'Paranoid Dancers', the deep atmosphere of 'Illuminate the Planet', the sweet and lovely melodies of his 2000 Love Parade Hit 'Future Primitive', the straight power of 'The Eye of Providence', potential club-hits like 'Feiern', slow-building tech-trance soundscapes like 'Calling' and last but not least all tracks are based on the long experience of being one of the worlds best techno producers for a while now.
have heared this one, and i must say that just like most of his releases lately also this one bores me. especially when you compare the stuff that he is producing nowadays compared to the stuff he used to produce before this.
we poppin' champaign like we won the championship game
have heared this one, and i must say that just like most of his releases lately also this one bores me. especially when you compare the stuff that he is producing nowadays compared to the stuff he used to produce before this.
No doubt that his releases of a couple of years ago were better. Agreed.
But these tracks have a sort of old-fashion flow in them to me, which i really dig..
But that's my opinion