Slick Chick is a 27 year-old disco-freak from Rotterdam. She started playing records about seven years ago. At the time she and her friends were throwing nonprofit parties in dirty warehouses throughout the Netherlands and beyond.
Wanneer Redevice een pionier en levende legende op het gebied van sonische experimenten uitnodigt om te komen optreden binnen de ideale setting van Studio 80 met z’n moddervette sound system, dan weet je zeker dat het voorgeschotelde geluid je niet alleen zal verrijken...
Terwijl de Sint z’n zak met pepernoten leegschudt en onze grote Kerstvriend de arrenslee weer voorrijdt, dropt Arctic Boogie vrijdag 12 december feestelijke acid en oldskool in club Innocent in Hengelo.
Loveland organiseert dit jaar het grootste Oud & Nieuw spektakel van Amsterdam. De organisatie viert de jaarwisseling in Amstelborgh onder de naam ‘Loveland NewYear’.
“I became a DJ because I couldn't Breakdance. And I was no good at Grafitti.”: The Underground's loss, music's gain. Well, not in every sense - musically, James Lavelle has been at the heart of the London underground for almost a decade. And in love with all kinds of music for all of his 27 years. Like the rest of us, it was the parental record collection that switched James Lavelle on to music, early Lavelle sets included the likes of Stevie Wonder and Deep Purple, an eclectic mix that was an embryonic blueprint both for James Lavelle as a DJ and for his label Mo' Wax; good tunes are good tunes - the genre doesn't matter. But back to the young James. And hip-hop, the one style of music that initially captivated him. It wasn't just the music; the UK's fledgling hip-hop scene was as much about Tacchini as it was Whodini and the breaks were the rhythms for breakdancing. Which James couldn't do, not that it mattered, he was already sold on the breaks. Inspired by the sound systems put together by the likes of Afrikaa Bambaata in the States and by the Wild Bunch over in Bristol, James started buying records by the bucketload and providing the soundtracks to his home town Oxford's own blockparty scene. The first party he put on, at 15, made him enough money to get a pair of decks and with Oxford starting to run out of vinyl, London beckoned. There's probably no better example of right place, right time(http://www.discogs.com/artist/James_Lavelle)
